You don’t have to be Cuban or even Latino to LOVE the music, the passion, the non-stop rhythms of love, hope, and desire that fire you up – heart and soul (not to mention shaking your body to the beats) – from the second you arrive at the BUENA VISTA SOCIAL CLUB. But you need to hurry, because this incredible musical tribute to classic Cuban music and dance is only playing at the Au-Rene Theater of Broward Center through October 18!
Slow Burn’s Outstanding Season Opener, ‘COME FROM AWAY,’ Couldn’t Come at a Better Time to Remind Us of the Merits of Neighborly Compassion
Remember when Canadians and Americans treated each other like close family and the best of friends? It wasn’t all that long ago when communities along both sides of our longest border and any vacationers could just show ID and be cheerfully waived through. The last time I visited Canada, several decades ago, was when we rented an out-of-season ski cabin for the summer in Jay Peak, Vermont. Ironically, other than our first night (when we got to enjoy the fireplace) that summer proved to be one of the hottest on record in Vermont, and the coolest in South Florida! So, we spent a lot of time in not-so-freezing local lakes and exploring the neighborhood, including an impulsive drive across the nearby Canadian border.
We’d come from a park music festival featuring, of all things, a Klezmer (traditional Yiddish music) band, and a local farmers’ market where we’d bought some fresh produce. The Canadian border guard believed us when we said we’d leave these in the trunk as they were just for our personal consumption when we returned. He was however bemused when we explained we were heading to Canada for lunch, insisting there was nothing out there but farmland. But he let us through. And after miles of circular haystacks, we found a quaint local farm museum that signed us up for an annual family membership (at a very low rate, and cheaper than two single-day passes).
Some Colorful Queer Comedy in Plays of Wilton’s ‘The New Century’
If you were a gay man deemed “too gay” by fellow New York gays, where would you go from there? For the flaming and fabulous Mr. Charles, one of three main characters in Paul Rudnick’s The New Century, the answer was Palm Beach, where he has hilariously taken a position as host of a late-night cable talk show called “Too Gay.”
Vertical Festival Comes to Fort Lauderdale’s Savor Cinema This Fall
Vertical Festival will bring filmmakers, actors, writers, producers, and content creators to Savor Cinema in Fort Lauderdale on Sunday, November 22, 2026, for a day celebrating vertical storytelling and the growing microdrama industry.
Presented by Giannetti Films Foundation, with Fort Lauderdale International Film Festival as presenting sponsor, the festival will feature screenings, industry panels, awards, and networking opportunities. Tickets are on sale now.
ACTRESS SHINES IN DARK SATIRE ‘WEATHER GIRL” ABOUT CLIMATE CHANGE AT GABLESTAGE IN CORAL GABLES THROUGH OCTOBER 18
Actress Ella Olesen shines in the one person, one act dark satire WEATHER GIRL about a television meteorologist in Fresno, California who gives a day-by-day prognosis of unusual weather patterns in her city and state.
Playwright Brian Watkins created a satire rather than a serious drama on the perils of climate change by having “weather girl” Stacey Gross (Olesen) be both narrator and a victim of the events to be shared with the audience.
You’ll never guess ‘WHO KILLED JOAN CRAWFORD?’ But you will have a helluva fun time observing five zany “Joans” in campy competition at Island City Stage’s lively revival of Michael Leeds’ hit comedy
It really says something about the health of South Florida’s theater community – and the staying power of an award-winning local theater company – when they open their 15th season with a revival of their own world premiere of a decade past. Awarded “Best New Work of 2016” by Broward/Miami New Times, Michael Leeds’ WHO KILLED JOAN CRAWFORD? was Island City Stage‘s most popular show at the time. And now’s the perfect time for this killer comedy’s distinguished, highly active and multiple award-winning playwright and director Michael Leeds (also Island City’s associate artistic director) to direct a “revitalized” version of his delightful parody of classic murder mysteries that also raucously skewers show business in general. Once again, showcasing all the drama, intrigue, and hilarity exhibited by outrageous and outrageously gay characters, of course!



















