A Misplaced Fence Unmasks Hilarious Tension In ‘Native Gardens’

Well, you know what they say, right? It’s all good fun until a hydrangea loses its roots.  

To introduce the show now playing at Gablestage in its most basic sense: Native Gardens is a play that revolves around a dispute between neighbors over the potential placement of a fence meant to divide their gardens. But before I contemplate the absurdity of finding myself close to tears at the conclusion of a play about a garden dispute, I suppose I should explain that the show’s true subject could perhaps be more accurately described as the joy that can be found when the sense of common humanity overcomes the surface obstacles to understanding. 

Continue Reading

Country Girls Gone Wild

NYC-based playwright Stephen Brown is having quite the moment in South Florida. Boca’s Theatre Lab has/will run two of his recent plays and LITTLE MONTGOMERY (formerly known as “Country Girls”) is currently enjoying a Florida premiere by New City Players (NCP) at Island City Stage in Wilton Manors. If the name “Little Montgomery” rings a bell, you might have enjoyed listening to NCP’s highly creative serial podcast version back in 2020, at the height of the pandemic. 

Continue Reading

‘Newsies’ Try to Seize the Day

Concluding its 2022-2023 season, Slow Burn Theatre Company finaled with Newsies the Broadway Musical at its usual stomping grounds, on the stage at the Amaturo Theater of the Broward Center in Ft. Lauderdale. This musical is famous for its almost all-male cast and its balletic choreography, telling the story of the newspaper boy strike of the late 19th century. With love, brotherly camaraderie, action and a moral compass, Newsies has something for just about everyone. South Florida Theater had the privilege to see two different performances of this production’s run, specifically on the first night of their closing weekend, Thursday, June 22, for this review.

Continue Reading

‘Six Dance Lessons In Six Weeks’ Teaches Us Quite A Lot About Love

Though the two main characters of Six Dance Lessons in Six Weeks, Lillian and Michael, are both loners by nature, there’s no arguing with the fact that it does, indeed, take two to tango. To name a few more of the styles that this odd couple ends up traversing over the course of the popular play currently on view at Empire Stage from fledgling company Artbuzz Theatrics, it also takes two to swing, waltz, foxtrot, cha-cha, and at least in some cases, contemporary dance. 

Continue Reading

Killin’ It at Festival Rep

By Mindy Leaf

It’s been a few years since I last attended a show by Florida Atlantic University’s Department of Theatre and Dance. I do recall their students being quite good and I especially enjoyed how they’d often produce rarely staged gems. So I was nostalgically delighted to discover that after the long pandemic absence nothing has changed – if anything they are better than ever! The plays are still staged at their main Boca campus in the lovely Marleen Forkas Studio One Theatre with free garage parking and an impressive art gallery that’s open to the public (at least it was during Saturday’s matinee) and entices you to enter as you make your way down the long, white art-laden hall to the theater’s entrance. 

Continue Reading

Come On… Say Beetlejuice Three Times

Broadway in Ft. Lauderdale has found its closing show for the 2022-2023 in Beetlejuice, the musical retelling of the cult classic movie. At the Broward Center, this show promises to make you laugh, maybe feel a little comfort in however you define your sexuality, and the cast and crew deliver the experience of being dead. South Florida Theater Magazine was there on opening night to report back that this is a show that aspires, and achieves, to be better than its source material. Yes, this musical improves on the movie in several ways, and that’s why it’s worthy of a closing slot.

Continue Reading

A Brutal Battle Of Two Brothers In ‘Topdog / Underdog’

George Anthony Richardson and Jovon Jacobs (Photo by Alicia Donelan) 

The rich thematic landscape of Topdog/Underdog is evident from the first moment that would-be dealer Booth, as he practices, and seems to engage the audience in, a rousing game of Three Card Monte. At least to me, combined with what vague knowledge I had of the play’s themes going in, it was impossible not to notice the dark implications of a line like “if you pick the black card you pick a loser.” 

Continue Reading