Theatre Meets Podcast In “Little Montgomery”

The quick pop-up pop-down nature of most of the super-cool virtual theatre that has been happening also isn’t conducive to written reflection. An adaption of a play into a podcast series has the benefit of being a permanently available object to direct my attention. Fort Lauderdale company, New City Players, has also thought of a way to maintain the “shared experience” aspect of theatre in a safe and contactless way by holding an in-person listening party for their play-turned-podcast Little Montgomery this coming Saturday, November 14th.

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Some Wheely Good Fun At “Helen On Wheels”

Pigs Do Fly Productions continues its sixth season with Helen On Wheels, a play by Cricket Daniels that first produced in 2014. The company’s unique mission is to show that over 50 can still live their lives in interesting, involved, and exciting ways and showcase performers over 50 in the process.

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Comedy Can’t Get Much Darker Than “A Funny Thing Happened on the Way To The Gynecologic Oncology Unit…”

A Funny Thing Happened on the Way To The Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City is now playing until this March 1 at the Sol Children’s Theatre, courtesy of theatre company Primal Forces. The 2016 play by Halley Feiffer is not to be confused with A Funny Thing Happened On The Way To The Forum, the famous Sondheim musical the former work’s title is an exceedingly wordy riff.

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A Royal Time At “The Glass Piano”

Theatre Lab’s fifth season continues with The US premiere of The Glass Piano by Alix Sobler, which premiered last year at London’s Coronet Theatre—loosely based on the utterly fascinating case of the real Princess Alexandra of Bavaria. The Glass Piano explores the story of a princess who suffered from a delusion that she had swallowed a grand glass piano as a child and must maneuver delicately to avoid shattering it.

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A Fulfilling “Fulfillment Center” At The Lake Worth Playhouse

The Lake Worth Playhouse’s acclaimed Black Box series is back until this February 9th with a quietly stirring production of Fulfillment Center by Abe Koogler, which premiered off-Broadway 2017. The play’s title does double duty, serving as both a literal description of the corporate warehouse it revolves around and an ironic nod to a set of characters who seem incapable of fulfilling their own — or each other’s — emotional needs. The story aptly encapsulates the play’s two major themes: nigh-inescapable human dissatisfaction and the potential for capitalism to deepen that dissatisfaction.

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A Spectacular Production Of The Peculiar “Evita”

Last night, I saw the Wick Theatre’s production of Evita, knowing more or less nothing about either the show or Argentinian history. After seeing Evita, I still don’t know much about what seems to be quite a complicated era, or even about the famously divisive figure the show centers on, infamous Argentinian first lady and “spiritual leader” Eva Peron. I have gathered from a little informal research that she’s an interesting enough “character” that, if left to my own devices, I could probably entertain myself reading about her for days.

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