Written By: Mindy Leaf

Ronnie Larsen has been busy making a name for himself as an actor, director, playwright and producer for three decades now – to growing acclaim locally, nationally and abroad. He was often seen staging plays and acting in his home turf of The Foundry in Wilton Manors, whose kitschy flexible space was known for its avant-garde horror shows, hard-core LGBT fare, and immersive Off-Off Broadway-type experiences rarely found elsewhere in South Florida. 

Written By: Mindy Leaf

Numbers are dry, unemotional. Sometimes the higher the numbers of victims of war, hunger, atrocities, the harder it is to relate. Humans appear to require one-on-one connections to enter another person’s world and actually care about their fate. To facilitate such empathy through the generations, we’ve developed art, music, and perhaps – most of all – live theater. 

When one more or less spends their life wandering from theatre to theatre, one gets used to experiencing quite a range of emotional intensity; yet I believe there are few plays this season that I found quite as moving as I found Refuge, a new play by Satya Jnani Chávez and Andrew Rosendorf that is currently finishing up its rolling world premiere at FAU’s Theatre Lab. Even at a glance, there are also quite a few qualities of this production that mark it as something out of the ordinary; for one, a significant portion of the dialogue is delivered only in Spanish, with no subtitles or translation to be found. 

Wrapped up this previous weekend at the Broward Center, Broadway found its way back to south Florida with To Kill A Mockingbird and a star-studded cast. Based on the movie, which was based on the novel, this play is a newer adaptation by playwright Aaron Sorkin, famed writer for his contributions to popular TV shows like “The West Wing,” and more. Emmy award-winning actor Richard Thomas commanded the audience like he did in the courtroom as Atticus Finch. South Florida Theater Magazine got a chance to see the poignant play, and let me tell you: it’s just as important today as it was when it was published in 1960.

Especially considering this is my first exposure to their work, I definitely wasn’t expecting to be quite as entertained as I was by Loxen Production’s version of Little Shop of Horrors, a classic musical that seems to have become one on its own decidedly quirky merits and not by mere happenstance. Written by Howard Ashman and Alan Menken, the same winning team that would later go on to Disney fame, this brilliant show centers around a dorky-beyond-belief every-guy named Seymour, who is just going about his business as a clerk at a flower shop on the downtrodden skid row until he stumbles upon a particularly peculiar little plant.