Though the two main characters of Six Dance Lessons in Six Weeks, Lillian and Michael, are both loners by nature, there’s no arguing with the fact that it does, indeed, take two to tango. To name a few more of the styles that this odd couple ends up traversing over the course of the popular play currently on view at Empire Stage from fledgling company Artbuzz Theatrics, it also takes two to swing, waltz, foxtrot, cha-cha, and at least in some cases, contemporary dance. 

South Florida staple “Summer Shorts” is back in action for this year with an exciting collection of brand new short plays brought to us by the participants in Homegrown, a new playwright development program from City Theatre that provides a cohort of Miami’s emerging BIPOC playwrights with creative and networking opportunities over a two year period. 

By Mindy Leaf

It’s been a few years since I last attended a show by Florida Atlantic University’s Department of Theatre and Dance. I do recall their students being quite good and I especially enjoyed how they’d often produce rarely staged gems. So I was nostalgically delighted to discover that after the long pandemic absence nothing has changed – if anything they are better than ever! The plays are still staged at their main Boca campus in the lovely Marleen Forkas Studio One Theatre with free garage parking and an impressive art gallery that’s open to the public (at least it was during Saturday’s matinee) and entices you to enter as you make your way down the long, white art-laden hall to the theater’s entrance. 

by Mindy Leaf

Breaking news! Slow Burn Theatre Company ends their famously popular 2022/2023 season with one more exhilarating, high-energy extravaganza!

Laughs and familiar scenes of Miami were memorable in the 2023 “Summer Shorts Homegrown Edition” of eight 10 minute plays, running now through June 25 at the Carnival Studio Theater at the Adrienne Arsht Center in downtown Miami.

Broadway in Ft. Lauderdale has found its closing show for the 2022-2023 in Beetlejuice, the musical retelling of the cult classic movie. At the Broward Center, this show promises to make you laugh, maybe feel a little comfort in however you define your sexuality, and the cast and crew deliver the experience of being dead. South Florida Theater Magazine was there on opening night to report back that this is a show that aspires, and achieves, to be better than its source material. Yes, this musical improves on the movie in several ways, and that’s why it’s worthy of a closing slot.

The rich thematic landscape of Topdog/Underdog is evident from the first moment that would-be dealer Booth, as he practices, and seems to engage the audience in, a rousing game of Three Card Monte. At least to me, combined with what vague knowledge I had of the play’s themes going in, it was impossible not to notice the dark implications of a line like “if you pick the black card you pick a loser.”