This post was originally published on Playbill - Features
Written by: Marc J. Franklin
Watching a piece of choreography, one sees image after image, animated through movement, brought to life by a performer. But distilling dance to a single picture is an art form all its own. From just a few movements, an audience can immediately discern a story, an emotion, or even identify a choreographer. The flexed jazz hands in Bob Fosse’s work in Chicago, the kick line in Michael Bennett’s work in A Chorus Line, and more all take on a life of their own when isolated from the larger body of work.