Tech is officially over! Cult favorite TV series Smash officially opens its long-awaited debut as a Broadway stage musical April 10 at the Imperial Theatre, after beginning previews March 11. Five-time Tony winner Susan Stroman is directing with Joshua Bergasse continuing his work from the NBC series as choreographer.
If New York Times deputy editor of culture and lifestyle Melissa Kirsch finds herself suffering from “the blues” attributed to too many hours spent scrolling and watching digital screens (aware of the dangers of FOMO, she no longer checks out Facebook friends), where does that leave the rest of us? What Kirsch was watching – even those cute Instagram dog reels – didn’t matter as much as the quantity: her brain was simply overtaxed from constantly “consuming content” at the expense of live human interaction.
Every song tells a story. . .and Respect: A Musical Journey of Women, the latest installment in the Pompano Players’ inaugural season, has dozens to share. This toe-tapping yet thought-provoking revue boasts excerpts of 60 songs by popular women in the music industry. Together, these numbers create a narrative about the journey of women and the ups and downs they have faced throughout history—following their dreams, falling in love, dealing with heartbreak, pursuing their careers, enjoying their independence, and everything in between. The show was created by Dorothy Marcic, a professor at Columbia University, and was originally produced in New York. Since its original run, it has played thousands of performances in over 70 cities (and counting). Now, the production is here in South Florida, directed by Jeremy Quinn (who has also helmed other shows in the Pompano Players’ current season, including hit plays Love, Loss & What I Wore and I Love You, You’re Perfect, Now Change).
FORT LAUDERDALE – This May, The Parker’s Lillian S. Wells Hall brings an electrifying lineup of music, comedy and family entertainment. From the soulful reggae of Tarrus Riley to the iconic harmonies of Our House: The Music of Crosby, Stills, Nash & Young, and the laughter-inducing wit of Paula Poundstone and Margaret Cho, there’s something for every taste. Families can embark on an adventure with Jim Henson’s Fraggle Rock: Back to the Rock Live! while rock fans relive the legendary sound of Queen. With show-stopping performances spanning every genre, The Parker is the place to be this May.
Before hanging up his pointe shoes and dedicating himself fully to cultural management in London, Javier Torres built a career as a principal dancer with the National Ballet of Cuba, working alongside legendary figures such as Alicia Alonso, Loipa Araujo, Josefina Méndez, and Aurora Bosch. In 2010, he took a major leap to England’s Northern Ballet, where he also performed as a leading artist until his recent retirement from the stage.
In classic fashion, Slow Burn Theatre Company’s current production of Something Rotten! at the Amaturo Theater of the Broward Center is a fast-paced and utterly hilarious celebration of the theater, musicals, and everything Shakespeare. With another outstanding cast, memorable choreography, and razor-sharp comedy, the company’s latest is one of their greatest to-date. The infectious atmosphere and energy of Broadway can be found in every scene and every song, all while bringing forth laughter from every mouth in the audience. If you enjoy anything theatrical, I guarantee you’ll enjoy this one, too.
Pianist Catherine Lan will perform “Piano Concerto No. 3” by Russian composer Sergei Prokofiev to highlight the final concert of the 27th season of the South Florida Symphony Orchestra season taking place on Wednesday, April 9 at The Parker in Ft. Lauderdale and Thursday, April 10 at New World Center in Miami Beach. The SFSO will also perform 19th century Austrian composer Anton Bruckner’s “Symphony No. 4” in the April concerts that begin at 7:30 p.m. at both venues.
Slow Burn Theatre Company continues its fabulous 15th Anniversary Season with a somewhat lesser-known but absolutely hilarious musical that, once experienced, makes any lover of the genre a fan for life. Get ye quick and join the “in” crowd at BrowardCenter’s Amaturo Theater to gasp with laughter and amazement at all the theatrical references and musical history madness that is SOMETHING ROTTEN! playing only through April 13.
Miami City Ballet’s penultimate concert, branded “Spring Mix,” begins to tie the bow on the company’s season, and this particular year’s Mix is perhaps the best night of ballet that I have ever witnessed in all my years covering the art form. On opening night of Friday, March 28, at the Adrienne Arsht Center in Miami, the company showcased their incredible prowess by performing four masterpieces from four master choreographers: Ratmansky, Limón, Balanchine, and Robbins. In an opening speech, Artistic Director Lourdes Lopez made a speech that each masterpiece spoke to a festering wound of this country in its current political turmoil. These choreographers are minorities, with communities and passions and resiliences, and with their art, they prove that this world is a better place because they exist(ed). I have never seen a company make such a statement, and her words provided a foundation for inclusivity. Brava.
The 1964 Broadway production of the Jerry Bock-Sheldon Harnick musical “Fiddler On The Roof” has been performed thousands of times on the stage, but Zoetic Stage Artistic Director Stuart Meltzer found a novel way of retelling the story of the famed 19th century Russian Jewish milkman Tevye seeking to feel safe with his Jewish family in the village of Anatevka while attempting to marry off his eldest daughter according to the laws of Jewish tradition.