31 Years Later, Mamet’s ‘Oleanna’ Is As Powerful And Divisive As Ever

Perhaps the fact that I find myself genuinely conflicted as I try to assess David Mamet’s Oleanna is actually something of a mark in its favor. After all, as opposed to the many perfunctory crowd-pleasers that do little to challenge convention, this script offers plenty of food for thought, ensuring an intellectually stimulating experience for practically all audience members regardless of what they come away thinking about the work.

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FUNNY PLAY ON RELATIONSHIPS ‘TIL DEATH DO US PART…YOU FIRST’

Many comedians, including actor/comedian Peter Fogel, will tell you that the funniest things that make people laugh are the absurd realities that happen to all of us every day. The veteran 62-year-old Fogel from Delray Beach has struck gold with his recollection of his life as a Jewish middle-aged bachelor who has yet to marry in his one man play “Til Death Do Us Part…You First,” to be performed August 12 at 8 pm at ArtServe in Fort Lauderdale.

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A Landmark Lesbian Play Revitalized In ‘Last Summer At Bluefish Cove’

New initiative Women of Wilton (WOW)—a project of Ronnie Larsen of Plays of Wilton and Nicole Stodard of Thinking Cap Theatre—is getting off to a great start with a seriously wow-worthy production of Last Summer at Bluefish Cove. Written during the late 70s and first produced in 1980, this play by openly lesbian playwright Jane Chambers was considered monumental for its time. This is primarily due to the fact that it was one of the first commercially successful works to portray gay women as full-fledged, well-rounded human beings as opposed to tortured by self-hatred or as stereotype-ridden caricatures. 

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Something Witchy This Way Comes…

Well, you know what people say. It’s all fun and games until somebody murders a king. Ok, maybe that isn’t quite what they say; but I am quite enjoying my time in rehearsal for another of my favorite Shakespeare plays (which I do, admittedly, have a lot of): good old Macbeth. And, as ought to surprise absolutely noone, I find myself cast as one of the three witches that appears to the title character and forever alters his fate. Typecasting, amIright?

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Mind Over Matter

In the blink of eye July has ended and August has begun. As time flies by, people like me are attempting to keep up with the fast-pace of the world while also simultaneously  trying to get ahead of the curve, and remembering how important it is to slow down and take time for yourself. Trying to do three conflicting things at one time proves to be a bit difficult. Imagine playing catch up, working to get ahead and also remembering to take a  pause all at the same time. You probably do it, too, without realizing it. Sometimes it’s better that way.

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Acrobatic Wonder Aplenty In New Cirque ‘Alice In Wonderland’

“Wonder” might be an understatement of just how awestruck I was by Alice in Wonderland: A Musical Cirque Adventure. Conceived and directed by Deena Marcum Selko and featuring an original score by Quentin Chiappetta, this acrobatic extravaganza recently blew into the Adrienne Arsht Center courtesy of Moth Entertainment, a company that “creates live stage shows designed to connect with audiences of all ages.”

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