So, at about this time last year, I wrote a Thanksgiving post vaguely inspired by my participation in New City Players City Speaks storytelling event (don’t bother looking at it now, though—this one is long and winding enough!) The post ended up being more properly about stories and gratefulness in a larger sense, and it also ended up being one of the most terrifyingly vulnerable pieces of writing I’ve ever shared publicly.

As devastating as the COVID-19 pandemic has been for South Florida theatre (and most everything else), it’s also had some unexpected but undeniable bright sides — and today, I’m talking super-nova bright. Thanks to Zeezou’s Stardust Extravagnza, the inaugural production of Area Stage’s Miami Queer Theatre Collective (or MQTC), I’ve managed to expand my theatrical horizons as far as outer space without ever actually leaving my house!

“Do you think all this being in masks is hurting people’s souls?” My mother asked me one day, as we put on ours for a routine trip to the grocery store.

How the hell was I to know? I’m a writer, not a theologian. And, on the off chance I do have a soul, I assume mine is already plenty scarred.

Though it’s been one of my favorite musicals for over a decade, I don’t think I was actually mature enough to absorb the full emotional impact and nuance of Rent until late this March, when I decided to revisit the musical for the first time in several years.

While the coronavirus has stopped South Florida theatre artists and aficionados from physically convening, it cannot stop us from creating or connecting. As we adapt to our newly distant lives, we are slowly discovering how to bring our beloved craft to the digital realm, with increasingly exciting results. As artists, it is our duty to bring joy even to landscapes of tragedy, to wring order from chaos and conjure hope from despair.

Like anything else, the internet age has its blessing and its perils. On the “blessing” side, it enables instant connection among people who could physically be oceans apart, which has allowed for unprecedent collaboration, communication, and innovation. Recently, it’s also become more important than most of us could have ever predicted as efforts to “flatten the curve” of the current COVID-19 pandemic have precluded nearly all in-person interaction.

After all the initial panic, I’ll admit that one of my first thoughts on being mostly-entrapped at home for the foreseeable future was: Great! I can finally finish revising my thus-far-singular attempt at a full-length play!

When the first wave of coronavirus panic hit, I honestly thought everyone was just being paranoid. The virus, after all, was still states away, and I remained flippantly sure that even if it did come this way, it would not be coming for me—or on the off chance it did, I would emerge unscathed thanks to my freakishly good immune system. My resistance really ought to be toast given my horrendous sleeping and eating habits, but I can’t remember having anything more serious than a cold in years.