At the beginning of Gablestage’sThe Price, you can’t quite tell if the protagonist Victor (Gregg Weiner) is laughing or crying. He’s arrived in his father’s attic and put on a novelty “laugh record,” and hides his face as he shakes and vocalizes along.
Before I say anything about Old Tricks, the new play by Michael Bush now premiering at Empire Stage, the first thing I should probably note is that I was not quite a member of the target demographic. The play, which is marketed as a “gay comedy,” appeared to be succesfully attracting a plethora of older gay men, but I think I might’ve been the only woman in the whole theatre!
Politics is a nasty business. Its sinister entanglements are not confined to smoke-filled back rooms in hideaways scattered here and there within the Capital Beltway. They slink into the fancy steakhouses of Baltimore and the elaborate suburban New York abodes of upwardly mobile, would-be office seekers.
Long-time writer, director, actor and comedian Peter Bisuito was on the verge of fulfilling the dream of launching a television sitcom when “the coronavirus pandemic shut down the entire project.”
As a young girl growing up in Leavittown, N.Y., Diane Nardolillo Tyminski wasn’t outwardly expressive about her vocal talent. “I sang in secret. I was a frustrated singer,” said the woman who grew to be a frequent performer at community theaters in Lake Worth and Delray Beach, Florida. She moved to the Sunshine State 25 years ago, “alone,” she said. “My parents urged me to go on my own to get a start in school,” though they later followed.
If you grew up boogeying down to the music of the Me Decade, you’ll agree “Streakin’! Thru the 70s” is a far-out musical revue that’ll get your groove on and help you to party hearty.
This time last year, I was preparing for my big move to South Florida. I signed a lease in three days, packed up two suitcases, and booked a one way ticket to PBI. Looking back, I can physically feel what I felt at that moment and it overwhelms and excites me every time I think about it. If I could bottle that feeling, I would. In some ways it feels surreal to say I’ve been a Floridian for a full year, and in other ways, it feels like the most natural part of me, like it’s where I’ve been and belong forever.
The Miami City Ballet will present a rare performance of “The Moor’s Pavane” Friday in West Palm Beach – specifically, at the Norton Museum of Art, 1450 S. Dixie Highway.
Playing at the Pembroke Pines Performing Arts Theater through November 7th, this production of Cabaret doesn’t reinvent the wheel, but rather aptly presents the wheel as it was once famously reinvented. Following the original highly controversial production in 1966, a memorable acclaimed 1980s revival of Cabaret added a few shocking staging conventions that have become the standard for most productions that followed.
