A Visit to “Visiting Mr. Green”

I got a chance to see Jeff Baron’sVisiting Mr. Green, this past weekend at Bob Carter’s Actor’s Repertory Company in West Palm Beach, and found the script so old-fashioned that I was initially surprised to find out it was written only in 1996—a little over twenty years ago!

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A Look At “Andy And The Orphans”

The play Andy and the Orphans, currently onstage at Sol Theatre courtesy of Primal Forces Productions, was originally titled Amy and the Orphans. This version of the play was gender-flipped to accommodate the casting of Edward Barbanell, a Coral Springs resident who actually understudied the role on Broadway last year and shares his character’s diagnosis of Down’s Syndrome.

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A “West Side Story” Well-Told

The “story” of West Side Story is a timeless one.  In fact, the story is so timeless that Shakespeare told it a good few centuries before Arthur Laurents (book), Leonard Bernstein (music), and Stephen Sondheim (music) did when the show premiered in 1957.

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The Weird and The Wonderful In “The Wolves”

I knew from my first glimpse of the set of The Wolvesthe Pulitzer Prize finalist of a play by Sarah Delappe playing through the end of this weekend at Zoetic Stage, that I was in for something a little different. Instead of your typical raised stage, I found myself looking down on a huge curved platform covered in Astroturf!

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Dispatch From Day 1 Of The Delray Beach Playhouse’s Playwright Festival

For the period of slightly over a month that this blog has as of yet been in existence, I have not had the chance to report on a theatrical event that I was actively involved in. However, since the first night of the Delray Beach Playhouse’s inaugural Playwrights’ Festival was far too interesting to leave unexamined, I suppose there’s a first time for everything!

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Revisiting An Old Favorite At “The Glass Menagerie”

Before I say anything about Maplewood Playhouse’s production of The Glass Menagerie, which opened last night at the small Delray Beach theatre usually occupied by Improv U, I suppose it’s my duty to preface this review with the fact that

  1. I got approximately 2 hours of sleep last night and
  2. I am categorically incapable of being at all objective, given that The Glass Menagerie is the play I usually name as my favorite of all time.
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Unpleasant Truths On Exhilarating Theatrical Display at “Falling,” and “A Streetcar Named Desire,”

I’d certainly been looking forward to Falling after attending many of the New City Players’ lead-up events, and it certainly didn’t disappoint. The fast-paced 75-minute show never dragged or faltered, and, as promised, it offered us a rare window into the seldom represented day-to-day life of a family dealing with a severely autistic child. Timothy Mark Davis nailed the pivotal role of Josh, the 18-year old boy with severe autism around whom the play (and the characters’ lives) revolved. The endearingly childlike enthusiasm of his portrayal gave life and soul to a type of person many consider less than human.

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