Compelling ‘We Will Not Be Silent’ Shows The Chilling Cost Of Righteousness

Gablestage scores again with a haunting production of We Will Not Be Silent, which tells the true story of Sophie Scholl. In 1943, Scholl was a young college student in Germany who stood against the horrors of the time by becoming a leader of the White Rose, a non-violent resistance group opposed to Hitler’s regime. 

And, indeed, it doesn’t take long for the high stakes to set in after Scholl and her brother are arrested for distributing protest pamphlets. Thus, we meet her in the care of interrogator Kurt Grunwald, who tries to convince her first to betray her co-conspirators and later to confess and renounce her actions. 

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A Glimpse Into Our Theatregoing Future At Dramaworks ‘New Year New Play’ Festival

If you’ve ever attempted playwriting, then you’ve probably discovered that plays seldom jump out of the mind of their author fully formed. Instead, most new plays that make it to production have first undergone a development period, in which the playwrights work with other theatre artists to bring an idea to its more realized form. And this is where initiatives like Palm Beach Dramaworks’ New Year New Play Festival come in. 

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SLOW BURN THEATRE COMPANY ANNOUNCES 2023/2024 SEASON

FORT LAUDERDALE – Filled with epic fairy tales that will take audiences into the woods and under the sea and poignant stories of faith, love and acceptance, Slow Burn Theatre Company announces its 2023/2024 season of five Broadway musicals in the Amaturo Theater at the Broward Center for the Performing Arts. The five musicals are Into the Woods, Disney’s The Little Mermaid, Sister Act, The Prom and Spongebob The Musical.

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AS PLAYWRIGHT AND DIRECTOR, NILO CRUZ REVISITS LIFE-CHANGING ‘ANNA IN THE TROPICS’ AT MIAMI NEW DRAMA

Written By Christine Dolen

Originally published on artburstmiami.com 

The stunning play that altered the course of Nilo Cruz’s life began with a commission from the 104-seat New Theatre in Coral Gables.  Supported by a national grant, the company led by Rafael de Acha asked the Cuban-American playwright, whose work was being produced by significant regional theaters throughout the country, for a new play.

Cruz delivered “Anna in the Tropics.”

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‘To Life 3’ Opens Jan. 20, Paying Tribute to Jewish Composers Who Created Great Hollywood Musicals

George Gershwin. Irving Berlin. Johnny Mercer. Harold Arlen. Sheldon Harnick.  Jerry Herman. 

These composers and others like them crafted the great Hollywood musicals we still enjoy today.

Their contributions to this great body of entertainment will be highlighted in To Life 3: Stories & Music Celebrating the Contributions of Jewish Composers to the Great Hollywood Musicals.  

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South Florida Playwright Luis Herrera Expands His Horizons With “As I Eat The World”

Next month, South Florida playwright Luis Roberto Herrera (who also happens to be a frequent contributor to our magazine!) is hoping to take on the world in more ways than one. If he is able to successfully raise the funds to showcase his new semi-autobiographical one man show in the slot to which it has been accepted at the Frigid New York Fringe Festival, Herrera will then quite literally attempt to consume that world as the play’s main character.

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Boca Stage presents compelling, mind-examining drama, ‘Time Alone’

Boca Stage kicks open the 2023 segment of its current season with one of its best performances – if not the best – an intense, mind-probing examination of two people trapped in solitary confinement – one by choice, the other by circumstance – and whose lives become increasingly difficult to bear. As they spiral toward a loss of self-existence, a totally unexpected event brings a measure of solace and newfound relief to their painful realities.

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How Matilda the Musical Had to Change Itself From Stage to Film

Originally posted on Playbill
When Matthew Warchus, Dennis Kelly, and Tim Minchin set out to adapt their Olivier- and Tony-winning Matilda the Musical into a film, they knew they would have to kill some of their babies. Metaphorically.

“Oh Christ, it’s completely different,” says composer Minchin when talking about the differences between the stage show and the film adaptation, which is currently playing on Netflix. He speaks admiringly of his colleagues Kelly and Warchus—all three artists have the rare honor of being creators who got to oversee the film adaptation of their stage property. “Usually people find it hard to truly throw out what they need to throw out in order to make the jump [to film],” says Minchin. “I don’t think I could have done what Matthew and Dennis did, which is to just really reimagine it and completely change the script—just fundamentally change it, and yet you come out feeling like you’ve seen the same story.”

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A Return Visit To “Hadestown” Reveals The Story’s Eternal Resonance

The last time I wrote something about Hadestown, in reference to the original Broadway production, it was when I found myself harnessing the show’s themes to attempt to make sense of the pandemic’s earliest, most terrifying days. Thus, I am pleased to report that it is under rather less dire circumstances than I find myself now contemplating the show once more after seeing the touring production of the musical this past Tuesday at the Kravis Center, where it is now playing until this January 8th.

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MANILOW AT AGE 79 STARS IN FLA LIVE ARENA CONCERT IN SUNRISE

At age 79, singer/songwriter Barry Manilow is possibly the oldest performer to headline a concert at FLA Live Arena when he performs “Manilow Hits 2023” in Sunrise on January 13, along with six other venues in the American Southeast through January 21.

Promoters normally would hesitate to book a singer at age 79 in a 20,000 seat plus arena, but that is not the case for Manilow, whose concerts have filled major arenas for over 45 years.

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